Lunch Talks

Tittel Start Slutt Tittel Lunch Talks Start lørdag 25. juni 2022 13:00 Slutt 1. juli 2022 14:00 Les mer

lørdag 25. juni 2022 13:00 torsdag 1. jan 1970 01:00
25.06.202213:00 Frida Bringslimark

Fakta

Dag 1 25. juni 2022 13:00:00 - 1. juli 2022 14:00:00RKategori Annet

Saturday, June 25 @ 13:00 Stefan Herheim: Music theatre – a spiritual symbiosis 

The art of opera is a universal language beyond the trivial vocabulary, with an exceptional capacity for communication. It still proves a challenge for everyone, says Stefan Herheim in his talk about his life as stage director. 

  

  

Monday, June 27 @ 13:00 Emma Kirkby DBE: In praise of ‘speaking harmony’ 

Emma Kirkby DBE celebrates the power and joy of song lyrics in the early repertoire. The lucky Early Music singers have an abundance of instruments at hand, perfectly suited for the human voice. After decades of enjoying this ideal balance for delivering the text, Emma shares her excitement in her search for ever more effective ways to ‘embody’ a lyric.  
 
 
 
 

Wednesday, June 29 Elizabeth Svarstad: Move to the music 

Dr. Elizabeth Svarstad is Norway's foremost specialist in Baroque and early dance. From a perspective as artist, choreographer, movement director, researcher and lecturer, she will talk about historical sources for dance and how knowledge in dance and bodily practices of the eighteenth century may inform the interpretation of musical practices of the time. 

 
 

   

Friday, July 1 Lars Ulrik Mortensen:  The Performer as Composer. Thoughts on Early Music Performance. 

It is commonly assumed - and frequently taught - that the role of the performer is to reproduce the composer's notation as faithfully as possible. "Play what is written!" However, in Early Music especially, this assumption breaks down completely, as composers in the 17th and 18th Centuries mostly notated only the "raw" musical notes. Lars Ulrik explores a number of examples from different styles to illustrate the vital role of the stylistically aware performer in creating a living, spontaneous and contemporary musical environment. 

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